Self-Publishing in Australia
It’s still a rarity to see someone on a bus in Australia with an e-reader, even an iPad, says ALLi…
Amazon Pen Name or Real Name?
What is an Amazon Pen Name? Your Amazon Pen Name is the public name associated with contributions to the Amazon…
Self-Publishing Survey
Help us to help you.
The Alliance of Independent Authors has teamed up with Dr Alison Baverstock of Kingston University to carry out a self-publishing survey this autumn.
To make it work, we need you to go to this link http://www.surveymonkey.
It won't take you more than ten minutes to complete and answers will be used to
Is Self-Publishing A Dead End?
Guest Post: by Mary Louisa Locke A while back, I read a post by Anderson Porter about a four-piece article written over a…
Self-Publishing and The Midlist.
Guest Post by By Catherine Czerkawska
There has been a great deal of talk in publishing circles about the ‘midlist slump’. A couple of years ago, I even read reports confidently predicting the ‘death of the midlist’. With the rise in indie publishing, these appear to have been exaggerated.
If I were to define midlist, I suppose it would be that huge, fertile, centre ground of well-written fiction which doesn’t slot neatly into any particular genre. It might be written by authors who like to experiment with crossing the boundaries and don’t see why they should always have to change their names to do so, especially when the ‘voice’ remains much the same.
I write historical and contemporary fiction, but the style is undoubtedly mine. Midlist readers are often, but by no means exclusively, female, often middle aged or older. They seem to be voracious readers.
The midlist used to be the seed bed from which the occasional (almost always unpredictable) blockbuster would spring. Screenwriter William Goldman’s much quoted dictum that ‘nobody knows anything’ applies just as much to fiction as to film. If the publisher got lucky, it might be an author's first or second book that made the breakthrough. More frequently it would be their fifth, sixth or seventh book. And if a book did become a bestseller or spawn a number of sequels, some of those profits would be ploughed back into nurturing other seedlings. Broadly speaking, that’s how it used to be, before the big corporations ate the smaller companies and changed the whole ethos of publishing in the process.
Five Questions Indie Authors Should Always Ask An Agent
The great Max Perkins. But traditional publishing contracts won't suit indie authors.
As more and more self-publishing authors make a success of our endeavours, more agents and publishers come calling. But too often they come with a traditional publishing contract in hand. This fails to recognise that an indie author's situation is different to that of a tyro, unpublished author.
As self-publishers, we have built our readership and already have a following. Our e-rights are very valuable to us and we're not keen to bundle them with other rights. We expect publishers to understand that our situation is different — and to reflect this in their contractual terms and conditions.
Here are four questions that an indie should ask before signing any deal with an agent. (Please note, the first three questions pertain to signing with agents for English language rights; only the fourth to translation rights, which is a different proposition, requiring a different set of questions).
We'll have a blog post on that, and on questions to ask if you're considering signing directly with a publisher, soon.
1. Will my self-publishing income be
How To Self-Publish An Ebook On A Budget
Guest Post By Stephanie Zia
In a perfect world you'd consult and employ professionals at every stage to produce an ebook – from copy editing to formatting, proof reading, cover design and beyond. But not many of us have the resources to do that. I certainly didn't.
I was blogging my discoveries as I learnt until, in July 2010, I decided to gather everything into an ebook for other writers with little publishing and technical knowledge. Here is a quick run-down on my methods of producing an ebook with little or no initial outlay. When you've finished writing, put the work away, had another look, re-edited etc etc. and find you really have reached “The End” and are ready to publish, the next stage is to copy edit.
1. A copy editor corrects grammar and spelling mistakes, looks for consistencies in spelling, capitalisations and spacings, and checks facts, names, dates, references, timescales in fiction, and so on. This is obviously a
How Indie Authors Can Work With Trade Publishers
Jackie Collins now successfully combining self-publishing and trade-publishing
Today, in the fifth and final part of our ‘Which Distributor’ series, Orna Ross explains how independent authors can successfully work with trade publishers to distribute some of their books.
At a writers conference, an agent and writer are putting out tentative feelers towards each other. The agent is from a venerable company, with a long list of illustrious clients. The writer is an independent author, who has earned her indie spurs by successfully self-publishing two ebook thriller titles (with more on the way) and building a vibrant and growing fanbase, both for her books and her writing advice website.
The agent wants to sign this author, who is young, hardworking, full of ideas, with many books ahead of her. The author is actively seeking a trade publisher, because she wants a third party to handle print. For her, print takes too long and requires the sort of activities that don't interest her. It's the one thing trade publishing can do better than she can do for herself, she believes.
The two talk, they seem to understand each other. Back home, the agent sends over an Author Representation Agreement but before she's read too far, the writer is concerned. A clause states that the agent will
Is DIY Distribution Best For Self-Publishers?
Today, in the fourth part of our ‘Which Distributor’ series where Alliance members share the experiences, Elizabeth Lorraine, vampire lover, TwiMom, avid gardener, world traveler and author of the Royal Blood Chronicles explains why she prefers to go direct to retailers.
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For me, even though it takes a little time, I prefer to go to each site and upload my books myself, rather than use a middlman service. I have three main reasons for this:
- I like being able to track daily sales.
- It makes it easier for marketing, since I can tell if something is working right away and act accordingly.
- I get paid monthly.
I started out on Create Space, Amazon’s self publishing engine for print, in the fall of 2009. Those first years they didn’t make it easy for you to get the formatting right. I had to
Lightning Source Best for Self-Publishers?
Ben Galley
Today, in the third part of our ‘Which Distributor' series where Alliance members share the experiences they've enjoyed with distributors, author Ben Galley gives us his take on Print on Demand (POD) company Lightning Source:
If your book were a delicious pie, distributors would be the ones who put it in the hands of the supermarkets.
It's a very simple analogy, but it rings true. Distribution is the supply link between our printers and the bookstores, and without it, our books would simply never reach our readers' hands. That's a painful vision. And to me, so is keeping a veritable mountain of books in your garage, shipping one at a time, staring at the big hole in your bank account.
No, thank you, I want a different road.
With the advent of the digital revolution came Print on Demand, and with it came distribution relationships. Now, POD companies have forged relationships with the wholesaler distributors to allow us indies access to
Is Bookbaby or Smashwords Best for Self-Publishers?
Part One of A Five-Part Week Series: "Which Distributor". A Guest Post by Giacomo Giammatteo. All this week on the Alliance…
International Rights Agent To Work With Alliance of Independent Authors
Jennifer Custer, International Rights Director, AM Heath
We’re delighted to announce that we have secured the services of Jennifer Custer, Rights Director at AM Heath, to represent those of our members who have suitable books in translation markets.
Founded in 1919, AM Heath has always been one of the UK's leading literary agencies and has represented some of the iconic writers of the 20th Century. The agency currently represents a broad range of best-selling and award-winning authors, including novelists, historians, biographers, and children's authors — and has a reputation for successfully launching talented newcomers.
The agency offers representation in all markets and all languages throughout the world and Jennifer Custer heads up the international rights department. “We have huge successes,” says Custer. “Many of our authors, Hilary Mantel, Conn Iggulden, and