Chapter One Publishing Rights In A Digital Age & What To Expect From This Book
- New Opportunities for Writers
- The Three Phases of Publishing
- New Challenges for Writers
- Who We Are
- ALLi’s Guiding Principles
Chapter Two What Does A Writer Own?
- What Is Copyright?
- Common Questions About Copyright
Chapter Three What Are Publishing Rights?
- Primary (volume) Rights
- Subsidiary (sub) Rights
Chapter Four Pathways To Publication
- The Upside Of Trade-publishing
- The Downside Of Trade-publishing
Chapter Five How The Self-publishing Sector Works
- Self-publishing Choices
- The Self-publishing Sector
- Evaluating An Assisted Self-publishing Service Company
- Self-publishing’s Big Five
- How Much Will Self-publishing Cost?
Chapter Six How Trade-publishing Works
- Book Wholesalers & Distributors
- Trade-publishing: Global
- Small, Independent Presses
- Literary Scouts
- Literary Agents
- Publishing Lawyers
Chapter Seven Tackling The Task
- Assessing The Market
- Assessing The Book
- Rights Guides & Information Sheets
- Submission Tracking
- Record Keeping
- Selling Methods
Chapter Eight Pitching, Negotiating & Closing Rights Deals
- Making A Good Pitch
- Pitching Literary Agents
- Case History: John Penberthy, To Bee or Not To Bee
- Pitching Publishers Direct
- Pitching TV & Film Rights
- The Art Of Negotiation
- Closing The Sale
Chapter Nine Selling Your Work Internationally
- Why English Books Have A Leg-up
- Do You Own Your International Rights?
- Should You Grant Your Publisher A License For Your International Rights?
- Engaging Foreign Rights Agents
- Selling Foreign Rights Without An Agent
- Options For Selling Directly Into Foreign Markets Independently
- Pricing and Promoting in Overseas Territories
- The Effect Of “Globile”
- Pay For Translation & Sell The Translated Books Yourself
- How To Find Translators
- Publishing Books In China
- Publishing Books In India
Chapter Ten Audiobook Rights
- What Books Work Best As Audiobooks?
- Determine If You Still Control Your Audio Rights
- Options For Authors Producing & Distributing Audiobooks Themselves
- Other Audio Options
Chapter Eleven Dramatization Rights
- Film & TV
- 1. The Pitch
- 2. Option To Purchase
- 3. Development
- 4. Production
- Voyage Media
- Multimedia & Interactive Rights
Chapter Twelve Other Subsidiary Rights
- First & Second Serial Rights
- Anthology & Quotation Rights
- Reprint Rights
- Digest & Condensation Rights
- Commercial Book Club Rights
- Merchandising Rights
- Rights For The Reading Impaired
Chapter Thirteen Running A Rights Business
- Publishing Power Shift Toward Authors
- Sample Contracts With Commentary
- Sample Trade-publishing Contracts
- Sample Foreign Rights Contract
- Kindle Direct Publishing Terms & Conditions
- CreateSpace Services Agreement
- An Egregious Contract
- Further Advice
- How-To For Authors from ALLi, The Alliance of Independent Authors
JUST RELEASED! Have you downloaded your copy?
How Authors Sell Publishing Rights, from The Alliance of Independent Authors (ALLi), helps authors navigate today’s complex rights marketplace. It shows writers the best ways to reach decision-makers in various industries, what these rights-buyers are looking for, and what to expect in negotiating a license or sale of rights.
Launched at the 2016 San Francisco Writers Conference
Orna Ross is currently at the 2016 San Francisco Writers Conference and as well as moderating a panel discussion about “FOREIGN RITES: Selling and Publishing Your Book Around the Globe” with Angela Bole, Chandler Crawford and Jennifer LaPlante (and participating in other events too numerous to mention), she is also launched our new ALLi How-to for Authors Guidebook.
Spoilt for Choice
The writer’s path to publication has grown more complex, as new choices emerge. What once was a one-track pathway to print can now feel like a maze of formats, platforms, apps and territories, with film, TV, broadcast, foreign, translation, audio and more.
Position yourself as an equal-partner not merely a “content provider.” You will shun the disrespect for writers inherent in publishing terms like “slush pile” and “list-culling” and see yourself as entering a creative business partnership as an equal player.
All of these publishing rights represent potential readers and income but each market offers different opportunities and operates by different rules. How are writers to find their way without a team of experts and lawyers?
What does our new ALLi Guidebook for Authors Cover?
How Authors Sell Publishing Rights covers how to pitch, negotiate and close a sale with producers, literary agents and global publishing houses, how to manage book fairs and other sales trips and how to keep track of your rights business.
Covering both financial, relationship and legal aspects, and focussing particularly on audiobooks, TV & film and translation, How Authors Sell Rights shows how the publishing landscape for authors is transforming and yielding unprecedented opportunities.
“The advent of online global platforms, right down to social media, the Internet and email means potential licensers and licensees can engage 24/7, whatever their territory,” says Tom Chalmers of IPR License, one of the online platforms facilitating authors in their search for rights buyers and sellers. With the Internet, everyone can know your name and get to know your books.
Pathways to Publication
Being an indie author no longer means that you only self-publish. A number of ALLi members use trade-publishers to distribute some of their titles.
Although the indie movement rose out of self-publishing, it has gone beyond it.
Authors today have a choice in how they get their books to the reader, including traditional channels, self-publishing channels and, ideally, a combination of the two. An author needs an enterprising attitude no matter which route is pursued and the right mindset is the single most important condition for success.
Trade publishers can add value for indies but only if the author’s status as creative director is acknowledged by contractual terms and conditions, and not lip service.
Release Your Inner Badass
As writers, we need to level up. To do so there is one factor you will need above all others. Tenacity.
“In 30 years of practicing business law, I’ve seen a lot of people succeed and fail,” Helen Sedwick says. “No matter what the business, the number one indicator of success is not intelligence, talent, luck, money, education, connections, ethics or even lack of ethics, although all of those help. It’s tenacity—on steroids. Take charge. When it comes to your publishing rights, think and act like a business investor, an entrepreneur, the publisher, the boss…. In other words, writers, release your inner badass.”
Meet the Authors
Orna Ross launched the Alliance of Independent Authors at the London Book Fair in 2012. Her work for ALLi has seen her named as one of The Bookseller’s “100 top people in publishing”. She also publishes poetry, fiction and nonfiction, and is greatly excited by the democratising, empowering potential of author-publishing.
Helen Sedwick is ALLi’s Legal Advisor. When self-published her historical novel Coyote Winds, she found no legal guide to assist independent authors navigate the legal side of self-publishing. So she used her 30 years of legal experience to cut through the legalese and write Self-Publisher’s Legal Handbook. Her goal is to keep writers out of court and at their desks.
Impetus for How Authors Sell Publishing Rights
When Orna and Helen began writing this book, it was very much from the perspective of seeing the sale of rights as an extra: additional income and expanded readership. This is how the sale of rights has always been viewed in trade-publishing and where we thought it was positioned within self-publishing. As the book developed, though, it became clear the rights were much more central to publishing than they both realised.
- They found a positive synergy around authors licensed rights where success in one territory or format led to another, where rights sold boosted online sales and vice versa.
- They found that the bigger and more successful an author, a publishing organization or a particular book, the more rights income was being generated.
- They found that in trade-publishing, the potential for the sale of rights was the deciding factor as to whether or not to take a book on board.
- They found that literary and film agencies, overseas agents and publishers, and distributors were keen to deal with successful self-publishing authors, welcoming a collaboration of equals.
- They also found agents and publishers who need to rethink what they offer to writers if we are going to work together successfully. Indie authors need to educate the trade, teaching by doing and by understanding and carefully husbanding our rights.
So in writing this book, we came to believe that there is an onus on authors to realize how central publishing rights can be to our writing and publishing strategies, if we are to harvest the great potential embedded therein. And that this way of thinking about rights should be there from the start, from the initial decision about how to publish, perhaps even while the book is still an idea.
All ALLi Guidebooks are Always Free for ALLi Members
ALLi Members can download our entire How-To for Author series for free on our Member’s website.
And will be available on other publishing platforms shortly.
Better yet … become an ALLi Member and download this guide, and our existing and future books for free!
Additional Author Rights Resources
ALLi Insights: Legal Essentials for Authors with Helen Sedwick Video & Podcast: Mention “legal” and many authors run for the hills. But, if you’re an Indie Authors who self-publishes you need to know your rights and understand copyright. In this ALLi Insights, Orna chats with Helen Sedwick to discuss self-publishing legal essentials.
ALLi Insights “Author Rights with Toby Mundy” Video and Podcast: In this special edition ALLi Insights, Orna chats with Creative Management agent Toby Mundy to introduce an exciting opportunity for qualifying ALLi members to leverage their global rights through the Toby Mundy Agency.
New Publishing Rights Benefits for ALLi Members – Part One: IPR License Make the most of your ALLi Membership by leveraging a 50% discount, and publishing rights consultancy, being offered by IPR License. IPR License, a publishing rights management platform that allows authors and publishers to trade publishing rights and permissions with other publishers, agents and other rights buyers.
New Publishing Rights Benefits for ALLi Members – Part Two: TMA Literary Agency In addition to our discount and publishing rights consultancy for members with IPR License, ALLi has partnered with Toby Mundy, of TMA, to help our professional members sell their publishing rights, including translation, film and TV rights.