This Week’s Self-Publishing News
An untrodden path only stretches before you once. Or some other metaphorical way of saying hello, it’s my first time…
An untrodden path only stretches before you once. Or some other metaphorical way of saying hello, it’s my first time…
An invitation to read your self-published book before an audience at literary festivals and other events provides a great opportunity…
English indie author, poet and journalist Dan Holloway turns the spotlight on a great opportunity for UK and Irish authors…
English author, poet and campaigner Dan Holloway shares the good news of the revival of a major literary prize that…
At last week's IndieReCon conference, author, poet and campaigner Dan Holloway performed his new poem calling for social diversity in…
As he launches "No Exit", a dark novelette about suicide and murder, indie author and campaigner Dan Holloway considers the…
Author and performance poet Dan Holloway explains why steering clear of third-party validation is the key to true success as…
Indie author and poet Dan Holloway considers whether it's possible to implement quality control standards in the world of self-publishing…
OK, first, when I say literature should be more like art I know I’m saying something fundamentally wrong. Because I’m…
The Alliance of Independent Authors's Open Up To Indies Campaign welcomes the news that the newly established Folio Prize, with…
As self-publishing becomes more common, and increasing numbers of indie authors achieve both commercial and critical success, literary festivals urgently…
Steena Holmes recently wrote a post for this blog explaining how the great thing about being indie, for her, was having the freedom to have it both ways: to self-publish or trade publish, as it suits her. Here Dan Holloway explains why the step into trade publishing is one he won't be taking — ever.
We are increasingly hearing about the hybrid model, with authors deciding for which books and in what ways to engage publishers and/or agents, who then become partners, singing to the author’s tune.
Whilst I have to say a part of me wonders if there aren’t some elements of utopianism creeping in, it is certainly true that many agents and publishers are starting to change the way they view their relationships with authors. And I certainly think what writers are doing, taking the reins – or at least setting out to – in these relationships, is fabulous, and definitely in the indie spirit.