Co-authoring is a popular tactic for indie authors to widen their network, team up and produce books faster. But typically, co-authors come from similar genres. So what happens when your co-author is from a completely different genre? How do you work through your differences to produce a completed novel? Russell Phillips and Andrew Knighton teamed up and are here to show you how to collaborate across genres.
Sometimes, despite your best-laid plans to write and self-publish series of novels, an out-of-sequence idea leaps out of nowhere demanding to be written – whether a prequel or a volume that fits in between your already carefully numbered set of books. US author Pamela Eglinski describes how that happened to her, and how she benefitted from submitting to the urge to write book 0 in her series.
Some readers might ask, “Why write a prequel?” The answer is simple. As I wrote the second and third novels in the series (formerly the first and second), I realized there was a fascinating backstory to be told, and the prequel was born.
I enjoyed writing The Third Knife for a number of reasons. It was my first historical novel, and because it was a prequel, I was able to reference scenes and characters from French Blue, and She Rides with Genghis Khan. Some characters in French Blue and She Rides gained fame in an earlier time, during World War II. Nonna and Edouard were members of the French Resistance, and helped shape the lives and passions of their offspring, a granddaughter and son, Catalina and Bonhomme. Simply said, The Third Knife set the stage for the next two novels.
How to Present a Prequel
Once the prequel was completed, I packaged all three novels in a Kindle boxed set: Catalina & Bonhomme, International Spy Series.
I know authors are told that a writer’s reputation and popularity are greatly enhanced once a third novel is written, so it made sense to package all three, and also sell them as stand-alone books.
The Third Knife was published in November 2015, and the boxed set in January 2016.
How Do Prequel Sales Compare?
What about sales, you might wonder? Anything unexpected? Definitely. Since The Third Knife was published Pam has sold nearly 500 books, most of them the prequel. There must have been a hunger for the story!
But, there is one more unexplained curiosity. Almost all copies of the prequel have sold to readers in the UK, Canada, and other Commonwealth nations. To date I’ve had one marketing campaign for The Third Knife, in early December. This was a give-away, and 1,600 books were downloaded. Since then the price has remained at $2.99. If you can shed light on the reason for this geographical pattern, I’d love to hear from you! Please leave a comment.
I plan to write two more novellas this year, and will box them together with my existing special-ops novella, so am on the lookout now for marketing advice about selling boxed sets!
OVER TO YOU Have you written a prequel? We’d love to hear about your experience of writing and promoting a “book zero”.For #ww: thinking of #selfpublising a #prequel? Read @PamEglinski's case study of hers: Click To Tweet
- How to number your books when writing a series – by Keith Dixon
- Go Set a Watchman’s history matters to you – by Joni Rodgers
- How to raise awareness of your second book with a cut-price promotion of your first – by Alison Morton