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Self-Publishing By Numbers: Infographic
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The Bookstore Indie Authors Deserve: ALLi Members’ Big New Shopfront, with Orna Ross and Melissa Addey
What if discovering strong indie books were as simple—and as trustworthy—as walking into your favorite bookshop? In this episode, Alliance of Independent Authors director Orna Ross and campaigns lead Melissa Addey introduce ALLi’s new Big Indie Author Bookstore. They explain why it was launched now, how it differs from a standard indie author book list, and how it helps members gain greater visibility and credibility. The discussion also looks at how ALLi will work with readers, librarians, bloggers, and booksellers to connect the right readers with the right books.
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In this Alliance of Independent Authors post, Book Award Adviser Hannah Jacobson explains why audiobooks should be treated as distinct creative works and how authors can develop a separate awards strategy for their audio editions.
News Summary: ElevenLabs Launches End-to-End Audiobook Production Tool Following London Summit
ElevenLabs is a company I've reported on a lot, but this time they really are in the spotlight following their recent summit. As a reminder, ElevenLabs is the tech giant that specializes in AI-generated voice production. It sells its services into various sectors, but the area of real interest to us is audiobooks, where the company offers various options for voice narration in different accents of different languages. Most significantly, ElevenLabs works with Findaway Voices by Spotify to enable indie authors (and others) to produce audiobooks for the streaming platform.
[…] it by next week. Until then, here’s a swell infographic I stumbled on published by the Alliance of Independent Authors (not sure why, but their acronym is ALLi). Check it (and them) […]
Very informative. I’m seeking to e-publish my first self-help book and climbing the learning curve. There have been a few surprises enroute. However, this information just made it somewhat easier. Thanks.
This one real nice Infographic deserves a special place on Pinterest. I pin it to my board right now.
[…] do want to publish a pbook, then, it generally makes sense to go with POD as the first option. Â See this infographic for a good comparison of offset printing vs print on […]
This is incredibly useful. All the writers I talk to want to know more about how one stacks up against the other. Of course there’s more to it, there always is, but there are a load of great starting points here. Lovely to have a cool graphic to point people to, so thanks!
Very informative. The only figures missing are the per hour labour costs for the marketing required for the two alternatives.
(Nobody claims that traditional publishing offers the active marketing it perhaps once did, but without it’s endorsement the self-publisher has to work longer and harder, and to the detriment of any time for the next book…except some brilliant fiction writers who are ‘hailing’ from an established platform.)
I would be interested in those figures.
We’ve just been alerted by Kristen Jensen that the figure for Amazon ebooks is out of date / a bit inaccurate, implying that it’s 70% on all books. Please adjust your screens accordingly.
This is excellent, just what I needed. As my ‘other’ profession is accountancy, I am always analysing my costs, sales income and wondering how it compares to traditional publishing and print on demand etc.
Thank you so much for this informative post.
Glad to be of service Helena!
Interesting article. However, if you’re a first time romance author with Harlequin or other traditional publishers, the advance is more like $1000 to $4000, unless things have drastically changed in the last few years, which I really doubt.
I know Grace, and advances are largely on the way down, everywhere, since…