Creating book soundtracks on Booktrack: JASON HOVEY and PAUL CAMERON

I wrote recently about the 60 percent growth in audiobook listening reported by Spotify in 2025. This week we have figures on the whole of the audiobook market (in the US at least), which help to contextualize that growth. The figures come as the Audio Publishers Association announces the findings of its two annual surveys: hard data on sales from Toluna, and a comprehensive survey on listening habits from Edison Research.

On this episode of Self-Publishing with ALLi, Dan Holloway reports on a week dominated by good news for readers and indie authors alike. He covers new social reading partnerships — Kobo with StoryGraph, and Everand with Fable — that let readers track, share, and experience books together. He reports on the American Booksellers Association's announcement that indie bookstore membership has hit its highest level since the 1990s, driven largely by single-genre stores focused on romance, fantasy, and romantasy. And he ends with a personal highlight: a new romantasy bookstore called Bad Girl Books is opening in Oxford — in the former Albion Beatnik space — with a specific welcome for self-published authors.

How much should e-books cost? It's one of the most divisive questions of the past fifteen years or so (in our small corner of the world at least), right up there with perennials like pineapple on pizza. The sub-question of this wider question that caused so much angst just before Covid is how much libraries should pay for e-books. You will remember, I dare say, there was much talk for a while of metered usage, and anger at the limited licensing time covered by the purchase of an e-book.