Dan Holloway

As a newbie indie writer in the UK, I remember many forum discussions on what seemed a dry topic back in the innocent days of the late 2000s as we tried to grapple with the logistics of what was still a fairly niche path to pursue. That topic was “Given that we are protected by UK copyright law, why would we need to follow the complicated and expensive (many of us were penniless) process of registering copyright with the US Copyright Office?” This broke down into two practical subquestions: “Is it really practical to imagine that we will sue someone for infringing our copyright?” and “What would it actually gain us?”