Here we present the best podcasts of 2019. When it comes to reading, who said the eyes always have it? In fact, 2019 was the year of the ear. We're getting our information via podcasts, increasingly reading via audiobook. By now, even those who at first harumphed at audio are starting to get the message as the sales figures come in. At the Alliance of Independent Authors, we get it. That's why we spent much of 2019 expanding and improving upon our #AskALLi series of podcasts. We launched new ones, livened up old ones, and our audience is growing along with the the growth of audio.
Today in our #WritersWednesday slot about writing, British indie author and chartered psychologist Rosalind Minett explains her approach to revising her work, sharing an interesting and unusual tip about her preferred workplace!
A Comforting Thought
One of my best buys ever has been a memory foam mattress. Comfortable to get into at night, by the time morning has come it has memorised your body so well that invisible hands seem to support your entire length aloft, as in a flotation chamber. This experience makes it extremely difficult to get up. I respond by doing my concept revision before starting the day.
What is Concept Revision?
Concept revision is what I call the process of thinking over recent writing, especially any sense of weakness or inadequacy. This also involves the ‘why am I writing this anyway’ thought, the stage where the story may be worked out or well on its way but the theme hasn’t really become evident. Or it may be that I know there’s insufficient depth in a chapter. It may be functional, in that it moves the story in the right direction, but it will fail to satisfy the reader. I like to write one thing and for it to have meaning for the future narrative, or better still, for it to have resonance on several levels.
Examples of Concept Revision in Action
As an example, I have two comfortable characters and they serve the purpose of providing emotional stability to the protagonist, but that isn’t enough. I had the cosy chapter, now I had to insert some added germ of mystery. It only took one sentence, but this was to lead to a little piece of back story to the cosiness, which could come into a later chapter and add reason/depth to the cosiness.
Other times, I have struggled with functional chapters, and they have only come right as result of thinking it over while relaxed. I needed a slightly dire act to explain my protagonist’s anger at his partner and to supply a new chapter. An ironic and rather nasty gift came to mind as the perfect means – but only after I’d been prone for twenty minutes after the clock struck.
The Difference Between Revising and Editing
I’m sure I’m not the only writer who spends as much time editing as in creating the story. Revising your work seems often bogged down by this, but searching for a theme that underlies your story – the reason that unconsciously made you choose to write this particular one – is something that perhaps comes later in the journey. Possibly for some, it comes too late, for the publish button has already been pressed.
I thank my mattress for making this concept revision quite a pleasant experience rather than an agonised one sitting at the desk. At that point I should be writing, not reflecting. And now I am.
OVER TO YOU Do you consciously carry out concept revision, or does is it part of your editing process? Where do you prefer to work when not at your writing desk? We’d love to know!
Are you a plotter or a pantser? – Rosalind Minett is one of the panellists in the #IAF16 debate, which you can still watch here
Different kinds of editing for self-publishing authors – by Tahlia Newland
What is creative writing? – by Orna Ross