Opinion: I Love You, Lulu, But… by Francis Booth
I recently wrote an article for The Guardian’s blog about how the rise of the Creative Writing course had killed…
I recently wrote an article for The Guardian’s blog about how the rise of the Creative Writing course had killed…
Steena Holmes recently wrote a post for this blog explaining how the great thing about being indie, for her, was having the freedom to have it both ways: to self-publish or trade publish, as it suits her. Here Dan Holloway explains why the step into trade publishing is one he won't be taking — ever.
We are increasingly hearing about the hybrid model, with authors deciding for which books and in what ways to engage publishers and/or agents, who then become partners, singing to the author’s tune.
Whilst I have to say a part of me wonders if there aren’t some elements of utopianism creeping in, it is certainly true that many agents and publishers are starting to change the way they view their relationships with authors. And I certainly think what writers are doing, taking the reins – or at least setting out to – in these relationships, is fabulous, and definitely in the indie spirit.